![]() ![]() ![]() That's sort of like people deciding to mix for Dolby 5, because they know the theatres are never going to run the mix at Dolby 7. So what happens is the movie has to be colour graded separately for 3D to compensate - but it is a massive compromise. The problem with images that dim, is that the eye finds it very difficult to discern colour properly. Introduce the polarising filter on the projector and you're down to about 7 foot-lamberts, and then the glasses bring it down to about 3.5 as you said. ![]() That's a little like saying Dolby 5 is what is expected, and Dolby 4.5 for loud action movies.Īssuming a Film projector was set up with the lamp at 5400K and the screen reflecting 16 foot-lamberts (open gate), once it's running film through the gate the image is down to about 14 or 15 foot-lamberts. Historismus und Kulturkritik: Studien zur deutschen Geschichtskultur im späten 19. Princeton, NJ: Princeton University Press. Hermann Hesse's Fictions of the Self: Autobiography and the Confessional Imagination. ^ "Weltschmerz is the word that perfectly sums up how you're feeling right now".Weltschmerz: Pessimism in German Philosophy, 1860-1900. ^ a b "Weltschmerz | Romantic literary concept".MacDonald's novel Free Fall in Crimson, Travis McGee describes Weltschmerz as "homesickness for a place you have never seen". Kurt Vonnegut references the feeling in his novel Player Piano, in which it is felt by Doctor Paul Proteus and his father. Ralph Ellison uses the term in Invisible Man with regard to the pathos inherent in the singing of spirituals: "Beneath the swiftness of the hot tempo there was a slower tempo and a cave and I entered it and looked around and heard an old woman singing a spiritual as full of Weltschmerz as flamenco". John Steinbeck wrote about this feeling in two of his novels in East of Eden, Samuel Hamilton feels it after meeting Cathy Trask for the first time, and it is referred to as the Welshrats in The Winter of our Discontent. In Tropic of Cancer, Henry Miller describes an acquaintance, "Moldorf", who has prescriptions for Weltschmerz on scraps of paper in his pocket. The modern meaning of Weltschmerz in the German language is the psychological pain caused by sadness that can occur when realizing that someone's own weaknesses are caused by the inappropriateness and cruelty of the world and (physical and social) circumstances. The worldview of Weltschmerz has been retroactively seen as widespread among Romantic and decadent authors such as Jean Paul, the Marquis de Sade, Lord Byron, Giacomo Leopardi, William Blake, Charles Baudelaire, Paul Verlaine, François-René de Chateaubriand, Oscar Wilde, Alfred de Musset, Mikhail Lermontov, Nikolaus Lenau, Hermann Hesse, and Heinrich Heine. ![]() The translation can differ depending on context in reference to the self it can mean "world-weariness", while in reference to the world it can mean "the pain of the world". The term was coined by the German Romantic author Jean Paul in his 1827 novel Selina, and in its original definition in the Deutsches Wörterbuch by the Brothers Grimm, it denotes a deep sadness about the insufficiency of the world ( "tiefe Traurigkeit über die Unzulänglichkeit der Welt"). Weltschmerz ( German: literally "world-pain") is a literary concept describing the feeling experienced by an individual who believes that reality can never satisfy the expectations of the mind, resulting in "a mood of weariness or sadness about life arising from the acute awareness of evil and suffering". Engraving by Jusepe de Ribera depicting the melancholic and world-weary figure of a poet. ![]()
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